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Generative Artificial Intelligence and Copyright
Introduction Recently a report published in Business Insider[1] described how big tech companies are refraining others from using their Artificial Intelligence (hereinafter AI) generated output […]
Introduction Recently a report published in Business Insider[1] described how big tech companies are refraining others from using their Artificial Intelligence (hereinafter AI) generated output […]
The development and use of ChatGPT have raised various questions about the data generated. This article argues that when there is a substantial intervention of […]
Picture a team of pioneering researchers in Nigeria embarking on an ambitious project. Using Machine Learning (ML) techniques, they dive into a vast collection of […]
Digital Rights Management (DRM) is a type of technology that allows copyright holders to control access and the use of their artistic work by copyright […]
ABOUT THE COURSE The IP Press is delighted to launch its flagship course on Copyright Law which is one of the dynamic and ever-booming laws […]
Let’s imagine you are a talented singer, pouring your heart and soul into your craft. Your voice is your instrument. It captivates audiences, leaving a […]
You can have a very intense relationship with fictional characters because they are in your own head. – J.K. Rowling The current generation has grown […]
Applications of machine learning are no longer limited solely to technological advancement and development. Artificial Intelligence has started establishing its presence in creative and intellectual […]
Ideas are as “free as air” but the expression of ideas is Copyrightable. Copyright axiom is that no one should claim ownership in what one […]
‘Artificial Intelligence (AI)’ which once was a myth in the world of computer programming, is now a reality at the hands of the commons. Not […]
Creators seldom do not appreciate their intellectual creations being exploited and built further upon by third parties for free, however to the contrary, the software […]
INTRODUCTION The term “non-fungible token” refers to a token that is not fungible i.e. non-interchangeable unit of data stored on a blockchain, a form of […]
In the present article, the author seeks to understand the controversy surrounding Section 52(1)(za), a fair use provision exempting wedding events from requiring a copyright license for the music played therein. A recent judgement involving an Expert is used as the basis and the reasons for dissent are enumerated. Further, the contentious section is looked at from a modern perspective whilst revealing a major drawback and a method to plug the same is suggested.
Introduction- The concept of copyright has evolved over the past few decades as technology has revolutionised how we live and work. Unmistakable is the reality […]
ABOUT THE COURSE The IP Press is delighted to launch its flagship course on Copyright Law which is one of the dynamic and ever-booming laws […]
Introduction Time and again, we hear producers complaining about being cheated out of publishing splits or not getting due credit. Earlier this year, it was […]
From a purely viewer’s standpoint, the author of the original Malayalam film, Ayyappanum Koshiyum, is the rightful owner of the Hindi-dubbed version of ‘Bheemla Nayak,’ as […]
The film industry is a multi-faceted segment of the economy that affects people in ways that go beyond entertainment—it is a driver of social change, […]
Introduction The competitive globalized world, has made business entity to do every possible effort to promote and brand its product. Consequently, different types of marks […]
Introduction Non-fungible tokens are packets of data stored on block chain, which can form the subject matter of transactions and taxation. They have varied uses, […]
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